جماليات الشكل التراثي المعماري في الخزف العراقي المعاصر

Abstract

This research means studying the architectural heritage، and there is no doubt that the architectural heritage is one of the most important elements that contribute to the cohesion of the nation and build its entity، and that the experiences of peoples and the dates of their renaissance emphasize the necessity of reaching the present in the past through antiquities and data، and in terms of reviving the most wonderful past to present to the present the magnificence of the example And beauty، just as it renews in those with individuals those incentives and energies that created the glory of yesterday and detonated his creative powers with what he ended in the first place، and the importance of this topic and the aesthetic and intellectual dimensions that are specialized in the subject of architectural heritage. This research studied (the aesthetics of the architectural heritage form in contemporary Iraqi ceramics)، which is located in four chapters، the first chapter included a presentation of the problem of research، importance، goal، research limits and definition of terms. As for the second chapter، it was represented by the theoretical framework، including three investigations، as well as concluded the theoretical framework with a set of indicators. As for the third chapter، it dealt with the research procedures، which included identifying the research community and choosing an extensive research sample (5) as a model، then the research tool. As for the fourth chapter، he took the results of the search and its conclusions، and the most important of them: 1- The contemporary Iraqi cabinet seeks from its beginnings to find artistic visions according to an artistic style of a pure Iraqi nature، and this led the porcelain to resort to the inspiration of their symbolic vocabulary that belongs to the arts of ancient Iraqi civilizations، and to the Islamic civilization، all of what they did and achieved in the style of a boy is nothing but a newborn This mating between heritage and contemporary، and this is what was shown in all sample models. As for the most important conclusions: 1-That the aesthetic generated in the heritage forms of architectural in the Iraqi ceramics with its difference، and the difference in its intellectual، environmental، social، and artistic reference، was characterized by the beauty that approaches the example and not the relative to stop these reasons، which made the sense of it ideal as well.