التجسيد في تشكيل الصُّورة النسائية العراقية

Abstract

This study aims to extract the anthropomorphic image from the Iraqi women's novel and analyze it. As the methods of constructing this image varied, creating aesthetic and poetic connotations that contributed to literary creativity, through multiple displacements that created semantic and aesthetic tension, with which the recipient was involved in representing the experience, vision, and position of the novelist. This is what made me deal with the works of Iraqi female novelists who were dominated by the use of the image, which was considered one of the most important and main artistic phenomena in the creative process, and its presence became more prominent in the narrative body, so the image became for them one of the most important components of the narrative discourse, and it was the main motive for choosing the image in the Iraqi women's novel It is the image's acquisition of the course of events, as it had an aesthetic dimension that attracts, excites, and astonishes the recipient, as I was asked a question: How did the anthropomorphic image dissolve within the narrative body? And did she have a beauty that distinguishes her within the text? Within this perception, we studied a number of novels by Iraqi women writers within the time period (2003-2020), because of the use of the image of this generation's novelists that formed the stylistic dominants of their narrative writings. The study of the stereoscopic image is based on looking at the special style of each Iraqi novelist and her uniqueness from others, because the selection of certain vocabulary is one of the most important vocabulary and structures, and the selection of the appropriate structural or plastic structure for it so that it appears in a special way, and thus the image is seen as an individual choice and creativity.