Design: Form and Content in Puppet Theatre
DOI:
https://doi.org/10.56924/tasnim.s2.2024/2Keywords:
Puppet theater, Educational objectives, Puppet design, Educational discourseAbstract
Many studies in puppet theater have dealt with the discursive, pedagogical, educational, and dramatic dimensions directed at a specific age group, with varying levels of reception processes that influence and are affected by it. This study has delved into the core nature of these discourses and means of communicating the goals that puppet theater seeks to achieve, so it has dealt with the specificity of this Theater in terms of content and form that are compatible with the goals that theater seeks to achieve, and through attempts at specialized cognitive surveys of cognitive research that dealt with the subject of puppet theatre, as well as drawing lines of interaction with theater data in its general form, it became clear that puppet theater with its modern origins and ways of dealing with dramatic topics And his desired goals, he took advantage of the aesthetics and communication factors of theater through which he formulated its expressive boundaries and means of communication with the child, and thus drew his own goals in the discourse directed by the expressive and artistic means that are compatible with the nature of this art. The first chapter included (the methodological framework), which included the research problem (and the importance of design between form and purpose in puppet theatre), the importance of research and the need for it, its objectives, its limits, and the definition of terms and their procedural definition. As for the second chapter (theoretical framework), it included two sections: The first topic: (The concept of shape in doll design) and the second section: (The psychological objectives of doll design), dealt with the indicators that resulted from the theoretical framework and previous studies. As for the third chapter, the researcher carried out an applied study in designing a doll, as she relied on the indicators of the theoretical framework in its design. As for the fourth chapter, the results were presented and discussed according to what emerged from the design of the doll, and then the conclusions, and in light of the conclusions, the researcher formulated her recommendations.
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