التحولات الثقافية وتمثلاتها في البنية التصميمية للخزف المعاصر دراسة تحليلية

Abstract

This study examines cultural transformations and their representations within the design structure of contemporary ceramic art as one of the intellectual and aesthetic foundations that have contributed to the reconfiguration of contemporary ceramic discourse Ceramics is no longer understood as a purely functional product or a closed formal system rather it has evolved into an open visual and philosophical structure continuously exposed to interpretation and semantic transformation , The research is grounded in a central problem concerned with uncovering how contemporary cultural transformations are reflected in the design structure of ceramic works and the nature of the changes that have affected form materiality surface and visual organization within contemporary ceramic production. The study adopts a descriptive analytical approach through the examination of selected contemporary ceramic models that demonstrate clear shifts in concepts of material structure and composition ,The findings indicate that contemporary ceramics has moved from utilitarian function toward semantic function becoming a cultural medium that reflects transformations in contemporary human consciousness The results further reveal a deconstruction of traditional aesthetic references and the emergence of aesthetics grounded in fragmentation displacement hybridity and interdisciplinary overlap The study also demonstrates that ceramic material is no longer a neutral technical element but has become an epistemic and cultural carrier that participates in the production of meaning within the artwork Ultimately the research concludes that the design structure in contemporary ceramics has become an open cultural structure that reflects the anxiety of contemporary human existence and its existential transformations within a constantly changing multi referential world.