بنية الاتساق الشكلي في التكوينات الخطية

Abstract

The current research aims to study the detection of ways of working consistency formal and what occurs from the visual illusion within the linear painting such as research procedures, which included his community on the linear panels embodied in which the consistency of the visual text within it, has included most types of lines almost reached the number of community (30) panel has selected researchers from them (3) models, a percentage representing (10%) of the original community and intentionally, according to what the researchers followed in his analysis on the descriptive approach (content analysis) relying on the analysis tool The analysis form, which included main and sub-paragraphs represented the pillars adopted in the analysis of his samples and designed according to the information outcome and what came out of the indicators represented the directions of the research, it was presented to a group of specialized experts to modify its paragraphs and indicate its suitability to the subject of research and the researchers reached several results, including: The calligraphic painting varied on the basis of consistent formative by achieving aesthetic values based on innovation, Following the consistency enabled the calligrapher to deconstruct, reconvert and assemble the elements of the painting into a new concept and content. In addition, calligraphers' resort to consistency in the text is a necessity imposed by the meaning first, and to show the pain.