الاسلوب الفني في تكوينات خط الثلث مصطفى راقم انموذجا

Abstract

The research contributes to knowing the features of the artistic style that characterized the calligrapher Mustafa Raqim in the formations of the Thuluth line and try to benefit from them, such as research procedures, which included his community on the linear paintings embodying the cases of artistic style within them, has included the formations of Mustafa Raqim almost reached the number of the community (30) panel has selected researchers from them (3) models, a percentage representing (10%) of the original community and intentionally, according to what the researchers followed in his analysis on the descriptive approach (content analysis) adopted tool Analysis of the analysis form, which included main and sub-paragraphs represented the pillars adopted in the analysis of his samples and designed according to the outcome of the information and what came out of the indicators represented the directions of the research, it was presented to a group of experts specialized to modify its paragraphs and indicate their suitability to the subject of the research and the researchers reached several results, including: Where represented his own method in the composition of the line Thuluth ordinary, which represents the writings line sequential words, with readability, which write patches and Qur'ans, and supplications There is a clear Thuluth style, which is illustrated through paintings, in which there is a difference in the joints of letters